Benny Turner and Cash McCall :: GOING BACK HOME

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Benny Turner and Cash McCall

After careers spanning six decades, BMA nominee Benny Turner and Grammy-winning co-producer Cash McCall return to their roots in this inspired collection of Chicago treasures.

Producer Benny Turner says, “A death in the gospel world inspired me to contact my old friend Cash. I had no idea about his health problems and wanted to do whatever I could to help. Getting him involved in a music project seems to have been the best medicine in the world for him, because he is really excited about it. I asked Billy Branch if he was available to be a special guest on the record, and he didn’t hesitate for a minute to say, ‘Count me in!’”

Blues legends Benny Turner and Cash McCall’s friendship began in Chicago over sixty years ago. The pair reunited to revisit their roots and the songs they once played nightly in South and West Side nightspots for their album Going Back Home. The joyous blues summit took place at studios in Memphis, New Orleans and Chicago with an array of the finest players and special guests including, pianist Joe Krown, drummer Rodd Bland and three-time Grammy nominee Billy Branch. The duo trade-off on lead vocals with Cash handling guitar and Turner laying down the bass as he did for years in his big brother Freddie King’s band. The ten songs each hold a special place for Cash and Turner and are a collection of Chicago era favorites and rare gems from the treasured songbook of the blues standards.

The horn infused soul stomper “Got To Find A Way,” opens the set with Turner’s daughters adding backing vocals, creating a Staples Singers vibe and making the track a true family affair. The straight forward reading of “Spoonful,” pays tribute to both Howlin’ Wolf and Freddie King who played on the original recording for Chess in 1960. Turner shows off his charms on the playful shuffle “Poison Ivy,” stepping into the role of Don Juan with flare on another deep cut from the Chess records catalog. McCall spells out the root of all evil on the blues sermon “Money;” the album’s only original tune is a statement of real truth.

No Chicago blues party would be complete without the Elmore James bar room anthem “Shake Your Money Maker,” delivered here with a jumping groove, hot horns and greasy slide guitar. Billy Branch adds his renowned blues harp to the emotional cover of the Tampa Red staple “It Hurts Me Too,” with the old friends celebrating their brotherly love and vowing to stick together through life’s trials and tribulations. The oft record song is given even greater weight after it was revealed that McCall had been battling lung cancer during these sessions.

The history of jazz and blues is filled with reinventions and spinoffs of familiar tunes, e.g. G.L. Crockett’s 1965 release of “It’s A Man Down There,” was an adapted cover of Elmore James’ 1964 release, “One Way Out.” Turner and McCall jam out on a rollicking uptempo two beat blast through the song, featuring fantastic barrelhouse piano and blues harp from Johnny Sansone. McCall adds his own twists and turns to the bawdy old-time blues “The Dirty Dozens,” giving it a Fats Waller spin. Next to Muddy Waters, Willie Dixon is recognized as the most influential person in shaping the post–WWII sound of the Chicago blues. Turner and McCall take on one of his most famous songs, “Built For Comfort,” as a duet commanding the bump and grind blues show stopper with bravado. Billy Branch is on hand again for the album’s finale, the revival of Sonny Boy Williams “Bring It On Home,” as a joyous celebration of Chicago and the reunion of two of her finest sons. 

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