Page 63 - Blues Festival Guide Magazine 2016
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office with Sieleman before she officially went to work. Sieleman
        remains with the organization as a consultant.
           “Jay’s been extremely available and accessible,” she said.
        “He’s helped close out some things that he’d started. Some of the
        different award processes were already begun before I walked
        in the door; he stuck around and helped close them out. It’s
        given me a little more space to get up to speed. This transition
        will probably be the most intense year since everything’s taking
        a little longer to do because I have to learn what I’m doing.”
           The  IBC  this  year,  which  had  257  acts  with  nearly  900
        musicians  from  14  countries,  went  “phenomenally  well,”
        Newman said. Newman and the Foundation’s Board President
        Paul Benjamin made a point to squeeze into each of the 20
        venues on the opening night to welcome everyone.
           “I  learned  that  I  have  an  amazing  staff.  Everyone  knew
        exactly what they were supposed to do. I needed to be able to
        trust what they do because it’s a giant operation… I am a person
        who needs eight hours of sleep each night. That was the thing I
        was most nervous about – how I could make it Tuesday through
        Sunday with that little amount of sleep. But I was so energized by
        the IBCs that I didn’t even realize I wasn’t sleeping.”
           While overseeing the Blues Foundation is a daunting task, it’s
        one that seems ideal for Newman. During her short commute to
        421 S. Main Street, she listens to music. The CDs in her car at the
        moment are Buddy Guy, Harrison Kennedy and Shakura S’Aida,
        and, of course, there is WEVL, a blues-based volunteer radio
        station that features a Wednesday morning folk show hosted by
        Bruce Newman.
           “Music is key, but the blues represents a very important part
        of American history,” Barbara Newman said. “It’s something that
        we have to be aware of, and we have to respect and honor it
        by keeping the music in the forefront. That’s what we’re doing.”

        Tim  Parsons  is  the  2011  recipient  of  the  Blues  Foundation’s
        Keeping the Blues Alive award for Journalism. He lives at Lake
        Tahoe and is the editor-in-chief of the online music magazine
        Tahoe  Onstage,  www.tahoeonstage.com.  He  also  is  a
        contributing writer for Blues Music Magazine.





















        Newman with statue of Little Milton in front of the Blues Hall of Fame
        Photo by Bruce Newman



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