Page 52 - Blues Festival Guide Magazine 2018
P. 52

Publicity poster for Otis’ first Texas
                                                                                            tour in 1957.
                                                                                            Photo by Jim O’Neal, courtesy
                                                                                            BluEsoterica Archive

                                                                                               In  1986  and  again
                                                                                            in  1989,  with  Dick’s
                                                                                            assistance,  Otis  did
                                                                                            go  into  the  studio  for
                                                                                            Rooster  Blues,  but  the
                                                                                            planned  album  was
                                                                                            never finished. Otis later
                                                                                            recorded  some  of  the
                                                                                            same  songs,  including
                                                                                            the  title  track,  for  a
                                                                                            This  Way  Up/Mercury
                                                                                            CD  produced  by  John
                                                              Porter  that  earned  a  Grammy  nomination  in  1994:  Ain’t
                                                              Enough Comin’ In.
                                                                 My  stint  as  manager  ended  in  1986  after  I  moved  to
                                                              Mississippi, and Otis continued to perform under the management
                                                              of Rick Bates, who still looks after Otis’ interests today. His last full
                                                              studio album, Any Place I’m Going on the House of Blues label in
                                                              1998, finally won Otis his first Grammy. Over the years, many
                                                              tapes of Otis’ live performances have been released on LP and
                                                              CD. Studio recordings from Europe have also been reissued in
                                                              the U.S. But bigger opportunities were spurned or missed for one
                                                              reason or another. Dick notes, “I wish things like recording and
                                                              touring with the Rolling Stones, being the second Blue Sky artist
                                                              after Muddy Waters, and recording with Carlos Santana had
                                                              worked out. But what he managed to achieve, and has left for
                                                              posterity, remains staggering.”
                                                                 In  a  Living  Blues  interview  published  in  1976,  we
                                                              asked  Otis  what  he  did  in  his  spare  time.  “I  don’t  do
                                                              nothin’ but worry,” he said. “Plannin’ and not gettin’ no
                                                              money…Yeah,  that’s  about  what  I  do,  worry  about  my
                                                              damn hard times and bills.” The years of worry, tension
                                                              and  frustration  took  their  toll.  In  2004,  Otis  suffered  a
                                                              stroke in Chicago and has been unable to perform again.
                                                              There  have,  however,  been  moments  to  celebrate.  In
                                                              2007  he,  Masaki  and  their  daughter  Sophie  traveled
                                                              to  Philadelphia,  MS,  for  the  dedication  of  a  Mississippi
                                                              Blues Trail marker in his honor. In 2016, Dick organized
                                                              a memorable tribute by a stellar cast of performers to Otis
                                                              at the Chicago Blues Festival. A smiling Otis was able to
                                                              summon his familiar shout-out to the audience one more
                                                              time: “Let me hear you say yeah!”

                                                              Jim O’Neal is a cofounding editor of Living Blues magazine,
                                                              research  director  with  the  Mississippi  Blues  Trail  and  co-
                                                              editor of the book The Voice of the Blues. He operates a mail
                                                              order  business  (Stackhouse  &  BluEsoterica,  3516  Holmes
                                                              St., Kansas City MO 64109, www.bluesoterica.com) buying
                                                              and selling records, magazines and memorabilia.




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