Page 68 - Blues Festival Guide Magazine 2015
P. 68

“You’re looking at a Butterfield album and you go, ‘Who’s
                                                              Walter  Jacobs?  [Little  Walter]  Who’s  McKinley  Morganfield?
                                                              [Muddy Waters] Who’s Chester Burnett? [Howlin’ Wolf]’ I’m 12,
                                                              13 years old, and started picking up on this stuff,” said Salgado.
                                                                 “The  Paul  Butterfield  Blues  Band  album  pretty  much  turned
                                                              white America on to blues. I remember Elvin Bishop. I can’t believe
                                                              Elvin Bishop. Now, I know the guy. But I used to stare at it, and
                                                              there’s Elvin chewing on a toothpick, and there’s Sammy Lay with
                                                              a gold pair of shoes that looked like they were spray painted. That
                                                              was a killer record. Then I found out where these guys got it from.”
                                                                 “We didn’t play it as well as Muddy Waters or Howlin’ Wolf
                                                              or a lot of the other guys, but we played it well enough to make
                                                              an impression,” Bishop said. “Blues was overdue to cross over
                                                              to the big white audience. After that, it wasn’t all our doing, but
                                                              we helped a little. Muddy Waters didn’t used to be able to play
                                                              anywhere but a black club. Then he would be playing concerts
                                                              and folk festivals and playing for a week at a time at a jazz club,
                                                              and I was glad to see that.”
                                                                 Bishop  has  been  prolific  in  the  studio.  He  has  made  20
                                                              albums, including 2014’s Can’t Even Do Wrong Right, which led
                                                              to six Blues Music Award nominations for Album Of The Year,
                                                              Contemporary Blues Album Of The Year, B.B. King Entertainer Of
                                                              The Year, Band Of The Year, Song Of The Year (for the title track),
                                                              and Contemporary Blues Male Artist Of The Year.
                                                                 “A good thing about blues, or music in general, is that it ain’t
                                                              like football,” Bishop said. “You don’t pass your prime at 30 and
                                                              have to retire. Blues is a simple music. You don’t need a lot of
                                                              technique to play it, but you do need to have an understanding of
                                                              exactly how to place the few notes you do play, and that comes
                                                              with an understanding of life. And, I don’t know, I flatter myself. I
                                                              have a better feel for things as I go along with more experience,
                                                              because I am not one of these guys who is gonna recede back into
                                                              the woodwork with age and sit on the couch. I like to stay busy
                                                              and just live.”

                                                              Blues Festival Guide Editor Tim Parsons compiled this story from
                                                              a series of his interviews with Elvin Bishop and others quoted here
                                                              from 2008-2015.




















                                                              Bob Welsh and Elvin Bishop share a glance and a song.
                                                              Bobby Cochran plays drums  Photo by Kurt E. Johnson



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