Page 72 - Blues Festival Guide Magazine 2015
P. 72

Rumors about mandatory evacuations fueled no-shows at the festival
                                                              Photo by Jill Sonsteby
                                                                 So impressed was Soul of John Black keyboardist Jim Pugh,
                                                              that that he wrote a letter nominating the Winthrop Rhythm &
                                                              Blues Festival for a prestigious Keeping the Blues Alive (KBA)
                                                              award for the festival’s humanitarian efforts. He’s seen a lot of
                                                              festivals, he wrote, but had never seen anything like that one.
                                                                 “They really stand alone in being kind and thorough, but
                                                              in the case of this year’s festival, they went way beyond that
                                                              into an area of kindness that was almost mystical to witness,”
                                                              wrote Pugh. “It was a profound experience and has left me a
                                                              little less jaded.”
                                                                 "The festival has always been about more than having a
                                                              good time," said Smith. "It’s also about a relationship between
                                                              the music community and the Methow Valley."
                                                                 “The  blues  festival  is  a  tradition,”  he  said.  “It’s  been
                                                              happening  almost  three  decades.  For  generations  of  fans
                                                              and people who live there, the festival means a lot – not only
                                                              economically,  but  spiritually.  It’s  a  healing  thing.  It  brings
                                                              spirit to the valley for that time. We all survived an incredible
                                                              disaster, but we’ll be back.”

                                                              Polly O’Keary is a Seattle bass player, singer and songwriter
                                                              who has toured nationally with Too Slim and the Taildraggers,
                                                              The  Soul  of  John  Black,  The  Randy  Oxford  Band  and  her
                                                              own  trio,  Polly  O’Keary  and  the  Rhythm  Method.  She  is
                                                              also a former newspaper reporter and editor, and currently
                                                              splits her time between touring and working on her Ph.D. in
                                                              communication at the University of Washington.

















                                                              Too Slim and the Taildraggers, who have played 26 of these 27 annual festivals,
                                                              took a perilous journey though fire zones to appear onstage  Photo by Andy Cotton



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