Page 89 - Blues Festival Guide Magazine 2015
P. 89

brings new discoveries. This is pure, raw genius. And it even
        has  a  couple  cuts  that  predate  the  band  period,  with  my
        mentor Sunnyland Slim on piano.
        4 – Big Maceo, The King of Chicago Blues Piano,
        RCA Bluebird
           Speaking  of  great  piano  players,  this  one,  on  RCA
        Bluebird, was a favorite of Sunnyland Slim, David Maxwell
        and yours truly.
           Maceo was a 6-foot, 6-inch tall southpaw from Detroit.
        He played with a thunderous left hand that literally shook the
        room. This double album features his greatest sides, along
        with many of his classic duets with guitar wizard Tampa Red.
        It is lyrically very sophisticated and a good representative of
        the guitar-piano duets that were so popular in the ’30s and
        ’40s. Don’t miss “Chicago Breakdown.”
        5 – B.B. King, Live at the Regal, ABC
           This  is  the  best  “live”  blues  album  ever  recorded.  This
        is  B.B.  King  like  you’ve  probably  not  heard  him.  It  was
        recorded at Chicago’s Regal Theatre when his career was
        in a downturn, and just months away from his rediscovery
        by  the  rockers  in  the  mid-’60s.  The  band  is  loose,  the
        arrangements swing like Count Basie, and B.B. preaches a
        special kind of sermon to the faithful. Essential.
        6 – Guitar Slim, Sufferin’ Mind, Specialty
           Not  long  ago,  I  saw  Buddy  Guy  on  Tavis  Smiley.  As
        Smiley  began  singing  his  praises,  Buddy  dismissed  him
        rather abruptly and said:
           “Everything I do, came from a guy named Guitar Slim.”
        He paused, and then for effect, added: “Everything.”
           Eddie  “Guitar  Slim”  Jones  was  the  deal  –  a  Cadillac
        drivin’,  stylin’  and  profilin’  guitar  slinger  who  drove
        audiences insane back in the early ’50s. He wore red suits,
        dyed his hair red and wailed away on his red Strat while
        hanging  upside  down  from  the  rafters  of  Masonic  Halls
        in  South  Louisiana.  He  was  the  original  wild  man  of  the
        highways. Read about him in Guy’s book When I Left Home.
        This album corrals some of that manic energy and amazing
        guitar sound.
           The  tone  is  an  over-amped  buzzsaw  going  through
        watermelon, with chunks flying everywhere. If you’re a fan
        of Buddy Guy, or blues guitar in general, do not let this one
        get away.
        7 – Bobby “Blue” Bland, Two Steps from the Blues,
        Duke DLP 74
           Exquisite, classy and understated, this album is the total
        opposite  of  Guitar  Slim,  and  yet  every  bit  as  powerful,
        featuring horns, strings and Bland’s liquid honey voice. The
        selections are phenomenal, but the sequencing also hits the
        target.  It  has  the  coolest  cover  ever  of  any  genre  by  far,
        complete with alligator shoes, shades and an off-the-chain
        badass  conk  (hairstyle).  Under  the  watchful  eye  of  Don
        Robey, Bland was the Suge Knight of the blues.



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