Page 90 - Blues Festival Guide Magazine 2015
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8 – Albert King, Live Wire/Blues Power, Stax Records
                                                                 This  album  is  an  all-time  fav.  What’s  really  interesting
                                                              is  that  it’s  almost  entirely  instrumental.  King  was  a  master
                                                              guitar  player,  and  this  album  recorded  in  1967  at  the
                                                              Fillmore  West  testifies  to  that.  His  career  was  in  a  bit  of
                                                              slide at the time, as black audiences had almost completely
                                                              forgotten  the  blues  players.  All  of  a  sudden,  these  hippie
                                                              kids with their free love and good reefer were hanging on
                                                              every lick from his Gibson Flying “V” guitar. Even if you’re
                                                              not the world’s biggest guitar fan, you’ll grab ahold of this
                                                              little gem. Seriously – I get real bored with long meandering
                                                              solos, but this one never gets that way. King told the story,
                                                              not needing words.
                                                              9 – Etta James, Rocks the House, Chess 9184
                                                                 This  album  is  the  best  example  of  how  blues  sounded
                                                              in the black nightclubs of the ’50s and ’60s. Jimi Hendrix
                                                              grew up in these joints and a teenaged Etta James grew old
                                                              in  them.  This  is  another  album  recorded  when  blues  was
                                                              yesterday with blacks and not yet with whites. Etta covers
                                                              B.B. King, Jimmy Reed, Jessie Hill and even does a secular
                                                              take on James Cleveland.
                                                                 The  band  is  the  house  group  at  The  New  Era  Club  in
                                                              Nashville. She purrs, growls, scats and even mumbles her
                                                              way through an incendiary set. The cover shows her clad
                                                              in a cocktail dress, with Cleopatra eye makeup and an ace
                                                              bandage  on  her  arm.  According  to  legend,  the  bandage
                                                              covered up the needle tracks. No matter, it adds even more
                                                              grit to this classic document of a night on the Chitlin’ Circuit.

                                                              10 – Various artists, The Best of the Chicago Blues,
                                                              Vanguard, VSD 1-2
                                                                 Vanguard was one of the very first folk (white) labels to
                                                              begin  recording  blues  in  the  ’60s.  I’ve  always  loved  this
                                                              collection. I’ll bet I’ve heard it over 1,000 times. It features
                                                              cuts  from  Jimmy  (as  he’s  listed  on  the  album)  Cotton,  an
                                                              extremely young Buddy Guy, Junior Wells and Otis Spann,
                                                              the king of post-war Chicago piano. It’s just a nice selection
                                                              of  various  styles.  It  features  lots  of  harmonica,  guitar  and
                                                              rolling  piano.  This  double  set  is  a  great  introduction  for
                                                              friends and family members who’ve never heard the blues.

                                                                 A final note: These are all albums I’ve listened to for years.
                                                              This list isn’t meant to be a list of all-time best, just a few that
                                                              I never grow tired of. All of these are available on CD, MP3
                                                              and vinyl. Go to Amazon.com or any of the online spots for
                                                              the  best  deals  on  CDs.  Better  still,  go  to  Discogs.com  and
                                                              spring  for  the  original  issues  on  vinyl.  Trust  me,  Muddy
                                                              Waters sounds great on a CD. However, listen to The Real
                                                              Folk Blues on vinyl and you’ll pee yourself.

                                                              The Rev. Billy C. Wirtz is a singer-songwriter, pianist,
                                                              musicologist and comedian who lives in Florida.
                                                              revbillycwirtz.com



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