Page 62 - Blues Festival Guide Magazine 2017
P. 62

Living Legend:


        Even into his eighties, John
        is still performing — here
        he is at the 2016 King
                                                              John MayaLL
        Biscuit Blues Festival
        Photo by Ÿ Marilyn Stringer





                                                              The Godfather of British Blues


                                                              By Mike Shivvers




















           John Mayall told the audience at his Blues Hall of Fame   piano in his early teens, the mold was cast. As a teen, John
        induction ceremony in May 2016 that he would continue to   attended junior art school in Manchester, and began to learn
        perform and make music as long as he was able to do it with   piano. It was a lonely existence for John at first, as there was
        full energy and enthusiasm… that it was all he knew how to   little interest locally in the type of music he chose to play.
        do, then wryly added, “you’ll soon be sick of me, I’m sure.”   In  the  early  ‘50s,  John  worked  in  display  advertising,
        As his career continues strong over fifty years since its start,   served in the army for two years, and afterwards continued
        his fans beg to differ. To really get the true idea of who John   his studies at the Regional College of Art – during which he
        Mayall is, go no further than his last three studio albums – A   became a more proficient musician and taught music to local
        Special Life, Find A Way To Care and his most recent 2017   youth. Upon graduating in 1959, John worked in advertising
        release,  Talk  About  That  –  three  of  his  most  reflective  and   until 1963, when he turned to music full time.
        personal albums to date. Many of the tracks on all three show   John Mayall started his first band in 1962 in Manchester
        John’s reflective mood over his career and life, but also look   – the Blues Syndicate – which included John on keyboards,
        forward  with  a  continued  desire  to  explore  the  blues  and   guitar,  harmonica  and  vocals;  Hughie  Flint  on  drums;  Ray
        create new music.                                     Cummings (who had played in John’s art school band, The
           John  Mayall  was  born  November  29,  1933,  near   Powerhouse Four) on guitar; Jack Masarak on alto sax; and
        Manchester, England. His early introduction and influence in   John Rowlands on trumpet. The Blues Syndicate was inspired
        music  began  at  home.  His  father,  Murray  Mayall,  was  an   by Alexis Korner’s Blues Incorporated, and it was Korner who
        accomplished  guitarist  and  had  an  extensive  collection  of   convinced John he could make a living playing R&B and the
        78rpm records of mostly jazz and American blues. Record   blues if he went to London.
        collections were the primary way fledgling British musicians
        of the ‘50s and ‘60s were exposed to American music – and   “When  John  plays  the  blues,  it  is  an  expression  of
        the blues in particular – as the British airwaves had restrictive   everything he has experienced and everyone he has been
        mainstream playlists. The first blues record John recalls hearing   inspired  by,  in  a  quest  to  put  out  the  most  expressive,
        was by the Mills Brothers, not generally known for the blues,   unique and spontaneous statement possible.”
        and that record led John to listen to Lonnie Johnson… and the   –  Dr.  Marie  Trout,  John’s  induction  ceremony  into  the
        rest is history. When John was introduced to boogie woogie   Blues Hall of Fame



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