Page 66 - Blues Festival Guide Magazine 2017
P. 66

Resonating With                                                                  At the beginning of his career, B.B. King
                                                                                         secured a job at Memphis radio station
                                                                                         WDIA by writing an impromptu radio
        Consumers in                                                                     jingle for Peptikon
                                                                                         Photo courtesy B.B. King Museum

        Just a Few Notes                                                                 a  copywriter  and  eventually

                                                                                         became
                                                                                                  Budweiser’s
                                                                                                              first
                                                                                         music director.
                                                                                            Artists  such  as  Leon
                            By Tim Parsons                                               Redbone,   Johnny   Guitar
           When he sang “Madison Blues,” Elmore James wasn’t making                      Watson  and  Lou  Rawls  had
        a sale pitch to sell shoes, but he certainly could have been. Blues              sung  in  commercials,  but
        artists struggle to be heard on mainstream radio, but their music is   celebrity musicians began to be used much more in the 1980s.
        in demand for television programs and commercials. The nature   Blues music, in particular, resonates with consumers because it
        of the blues creates a powerful emotional pull on its listeners, and   has an honesty and hipness that listeners can relate to, in just a
        thus on consumers.                                    few notes.
           “Madison Avenue definitely feels that blues sells products,”   Artists  such  as  Robert  Palmer  preferred  to  write  their  own
        said Marc Lipkin, a publicist for Alligator Records, referring to the   songs for commercials, as did Muddy Waters with “Dr. Pepper
        American advertising industry.                        Blues.” A Muddy Waters track also was used for Levi’s “501
           In 1948, B.B. King may have been the first to sing the blues   Blues.”
        to sell a product. He visited the radio station WDIA in Memphis,   The double entendre always has been a staple of the blues,
        hoping to make a record. The owner said the station didn’t make   seen in the use of Howlin’ Wolf’s “Smokestack Lightnin’” and
        records, but added he needed a song for an advertiser. King   John  Lee  Hooker’s  “Dimples”  in  commercials  for  Viagra,  for
        quickly wrote a blues jingle:                         example. Or you might have caught a recent GEICO Motorcycle
        “Peptikon sure is good; Peptikon sure is good; Peptikon sure is   commercial featuring “Going Up the Country” by Canned Heat.
        good; You can get it anywhere in your neighborhood.”     “You could really give your commercial some energy, whether
           Peptikon was a medicinal tonic, which perhaps was popular   you want it to be fiery or cool and mellow,” McCabe said. “Blues
        because it was 12 percent alcohol. Utilizing blues to sell booze   can make you sad or relaxed, but it’s also cathartic and can be
        has been popular ever since.                          exciting as well – it just covers all of that. You could see why
           Berghoff beer, for example, features guitarist Eric Sardinas   brands like Levis and Budweiser would turn to the blues for that
        using a Berghoff bottle as a slide for a 30-second commercial,   kind of feel.”
        and the same ad campaign has blues harmonica player Billy   Robert De Pugh, the director of licensing at Alligator Records,
        Branch rhythmically stomping his foot to the music, catching a   agrees that blues can quickly create a mood for listeners.
        bottle to take a swig just before it falls off the porch.  “That’s  exactly  what  it’s  about,”  he  said.  “And  if  it’s  a
           “The whole history of beer and blues and rock ‘n’ roll goes   recognizable song, and they can share the feeling the audience
        way back. They kind of fit like a hand in a glove,” said Steve   has about that song and transfer it to their product, the song does
        McCabe, who runs a music and sound design company and has   a lot of the heavy lifting for the commercial.”
        produced many commercials throughout his career.         De Pugh said Alligator Records frequently gets requests for
           McCabe is a musician who learned about the blues from   songs to be used in commercials, television programs and big-
        his college schoolmate Bob Corritore, now a famed harmonica   screen movies.
        recording artist in Phoenix, AZ. He got his start after college living   Sometimes,  the  intended  meaning  or  context  of  the  song
        in St. Louis and playing in a band with some older musicians,   may  alter  for  the  benefit  of  marketing  a  product.  The  Luther
                                  whose  day  job  was  selling   Allison song “Cherry Red Wine” is a poignant tale of a woman
                                  advertisements  for  Budweiser.   destroying her life with alcohol. However, the storyline for the
                                  “When  I  found  out  what  they   commercial is changed. The verse ‘I’m watching you’ is sung
                                  did,  I  started  to  torture  them   while a child looks longingly at another youngster who is eating
                                  [asking  for  a  job],”  he  said.   macaroni and cheese.
                                  McCabe landed a position as    Songs are often rerecorded to fit into a commercial. It also is
                                                              sometimes less expensive to record a sound-a-like, De Pugh said.
                                   Howlin’ Wolf’s “Smokestack Lightnin’”   Songwriters and publishers can be paid a flat “synchronization”
                                   was once used in commercials       fee and then receive additional royalties every time it airs. The
                                   for Viagra!                label gets a one-time synch fee.
                                   Photo by Robert Hughes



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