Page 62 - Blues Festival Guide Magazine 2018
P. 62

ARkAnsAs BluEs



        in thE DiRt & on thE AiR






        The Delta Sounds exhibit at the Delta Cultural Center features the blues legends influential to the music of the Arkansas Delta. Photo courtesy of the Delta Cultural Center
                            By Don Wilcock                    sang blues, and I could sing pretty good. They would always tip
           As a teenager, B.B. King was still working in the cotton fields   me. Driving tractor was one of the highest paying jobs for farm
        of Indianola, MS, but on lunch break he would listen to Sonny   hands, and they paid $22.50 a week. So, when I’d go to town
        Boy Williamson (II) and his King Biscuit Entertainers on KFFA-FM   and sit on the street corner and play, sometimes I’d make $50 or
        1360 out of Helena, AR, a hundred miles away. “I used to listen   $60. I have made as high as $100 one evening. Now, you see
        to KFFA every day. I was in the fields plowing, [the King Biscuit   why I’m a blues singer?”
        Time show] did good for me ’cause I enjoyed it.”         King Biscuit Time continues to broadcast Delta blues music
           B.B.  was  16  when  the  show  came  on  the  air  in  1941.   to  this  day,  chalking  up  more  than  17,600  episodes.  That’s
        The program was the first to feature African American artists   more than the Grand Ole Opry – making it not only the first live
        performing live on the air for 15 minutes at lunch time. It was   blues show, but the longest running music show in the world.
        a clarion call to the world that blues was more than a local   It was a springboard for harmonica player and singer Sonny
        phenomenon confined to Saturday night fish fries and chitlin   Boy Williamson, guitarist Robert Lockwood Jr., pianist Pinetop
        circuit juke joints. King Biscuit Time emanating from Helena,   Perkins and many others who performed live on the air in the
        a  world  port  on  the  Mississippi  River,  was  facilitating  an   earliest days.
        expansion of the genre that would soon influence popular music   Sunshine Sonny Payne was 17 when he first went to work at
        worldwide and offer at least the hint of a way out of poverty for   the station in 1941: “When we started the radio station, we had
        African Americans toiling on southern cotton plantations.  B.B. and all of ’em coming there out of the fields. They heard
           B.B. worked in the field from “can to can’t.” In other words,   it on the radio. When KFFA went on the air in 1941, Interstate
        from the time you can see until you can’t. King Biscuit Time was   Grocery owner Max Moore told Sonny Boy Williamson if he
        turning B.B. and a growing number of people onto the blues. He   sold a railroad car of King Biscuit Flour, he’d sponsor him on
        started busking in the streets. “People would come up and ask if   the air for $12.50 a week,” recalls Sonny.
        I would play a blues. I knew some, and some I pretended, but I   By 1951, Sonny Payne had become the full-time host of King



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