Page 63 - Blues Festival Guide Magazine 2018
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Blues Festival Guide Publisher Kaati (right) and her sister Julia (left) visiting long-time King Biscuit Time host “Sunshine” Sonny Payne at the KFFA station
        Biscuit Time, opening each broadcast with “Pass the biscuits! It’s   sitting up there on the back. They’d be beating on the piano
        King Biscuit Time” and playing classic blues mixed with newer   and the rest would be picking and singing.”
        tracks. The show then expanded to a half hour and aired each   King Biscuit Time was beaming into homes and businesses,
        weekday  from  12:15–12:45  pm.  Health  permitting,  Sonny   presenting essentially live sets by Sonny Boy Williamson, a singer
        continued to host the show until he passed away in February of   and harmonica player who, by 1941, had already played with
        this year.                                            the  "Father  of  the  Blues"  Robert  Johnson,  Elmore  James  and
           King  Biscuit  Time  gave  the  city  of  Helena,  the  state  of   Robert Nighthawk. Sonny Boy brought Robert Johnson’s stepson
        Arkansas and Delta blues in general a much larger audience   Robert Lockwood Jr. and keyboard wizard Pinetop Perkins with
        beyond  the  sharecroppers,  juke  joint  patrons  and  record   him into the studio and went on to tour the world, performing and
        buyers,  and  almost  immediately  changed  the  paradigm  of   recording “real” blues with rock stars he’d influenced, including
        how blues was presented and promoted. Jim Howe became   Eric Clapton of The Yardbirds, Eric Burden of The Animals, and
        the owner of KFFA in 1951. He comes from a family that for   Robbie Robertson of The Band.
        generations owned a lumber company on thousands of acres   Long after Sonny Boy Williamson died in 1965, the show
        of land in nearby Wabash: “I remember the King Biscuit Boys   continued to feature blues artists as guests, as well as pop music
        coming to the Wabash store. They’d holler ‘The King Biscuit   icons like Robert Plant of Led Zeppelin, Elvis Costello and Billy
        Boys  are  over  there.’  We’d  run  across  the  railroad  tracks   Gibbons of ZZ Top – illustrating the influence that blues, and
        and go and listen. That was part of the sponsoring with Mr.   the show in particular, have had on music around the world.
        Moore. He said, ‘On weekends I want you all to go down to   As a youngster, Levon Helm, who went on to form The Band,
        these country stores and advertise King Biscuit Flour.’ They’d   used to take the only elevator in Arkansas up to the fifth floor
                                   come down in the old truck,   of the Helena National Bank building and sit cross-legged in
                                   and they had a piano sitting   the studio as Sonny Boy, Lockwood, Pinetop Perkins, Houston
                                   on  the  back  of  the  truck.  It   Stackhouse and drummer James “Peck” Curtis played live on
                                   weighed  about  400  lbs.   the air. Muddy Waters was also among those tuning in.
                                                                 As small as this tiny radio station is, it was located in what
                                   King Biscuit Time entertainers (l to r)   at the time was a critical port city on the mighty Mississippi
                                   Sonny Boy Williamson, Frank Frost
                                   and Sam Carr.  Photo courtesy of the   River, a gateway to America’s heartland from New Orleans
                                   Pryor Center for Arkansas Oral and   to  Minnesota.  Noted  musicologist  Dennis  McNally  writes
                                   Visual History, University of Arkansas
                                                              in  his  epic  history  of  American  music  Highway  61  –  Music,


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