Page 78 - Blues Festival Guide Magazine 2018
P. 78

A Toot to
                                                                     A Toot to




                                                                     the Flute,
                                                                     the Flute,



                                                                     Fife and
                                                                     Fife and




                                                                     Quills
                                                                     Quills



















        Othar "Otha" Turner manufacturing a fife out of a piece of bamboo cane. Photo: Othar Turner making fife image 10 in the William R. Ferris Collection #20367, Southern Folklife
        Collection, Louis Round Wilson Special Collections Library, University of North Carolina at Chapel Hill
                             By Regi Oliver                   Afro-American  slaves  learned  fife  and/or  drum  skills  from
           The flute, fife and quills are all members of the woodwind   playing in militia units. They adopted the tradition into their
        family of instruments. The flute is one of the oldest and most   music of African origins, developing into the genre of black
        widely used wind instruments. Originally made from mammoth   fife and drum blues, which has been documented in parts of
        tusk and animal bones, the oldest found flutes date as far back   Mississippi, Tennessee and Georgia. One of the most famous
        as  60,000  years,  demonstrating  that  this  musical  tradition   artists of the fife and drum blues tradition was Othar “Otha”
        was developed early on in modern human existence.     Turner, who played on homemade cane fifes during his goat-
           Flute tones are lyrical and sweet, and the flute’s pitch and   roasting parties and other community events. First recordings
        flexible  timbre  allow  for  instantaneous  expressive  control  –   of  Mississippi  fife  and  drum  music  were  made  in  1942  of
        which is well suited to the blues. When I grew up, a band was   multi-instrumentalist Sid Hemphill and his band. Other well-
        not really considered a band unless it consisted of a minimum   known  musicians  of  the  fife  and  drum  tradition  include  Ed
        of  four  horns.  Every  saxophone  player  was  expected  to   and Lonnie Young, the Mitchel Brothers, Napolian Strickland,
        double on at least flute and clarinet, and vice versa. I heard   Hemphill’s granddaughter Jessie Mae Hemphill and Turner’s
        the flute in various contexts. Big bands, orchestras, concert   granddaughter Shardé Thomas who inherited leadership of
        bands, rock and pop bands all utilized the flute sound at some   his Rising Star Fife and Drum Band.
        point in their repertoire. If you really think about it, there’s not   The quills are a type of pan flute, an early American folk
        a  genre  of  modern  secular  music  that  hasn’t  employed  the   woodwind assumed to originate from Africa and played by
        gorgeous and hypnotic sounds of the flute.            Afro-American  slaves  in  the  south  dating  back  to  the  late
           The  fife,  one  of  the  most  important  musical  instruments   1700s/early  1800s.  One  of  the  earliest  recordings  of  the
        in  America’s  Colonial  period,  can  still  be  heard  today  in   quills was in 1926 by Mississippi artist Big Boy Cleveland. A
        some  Appalachian  folk  music.  The  fife  is  louder  and  more   year later, Henry “Ragtime Texas” Thomas began recording
        shrill than the flute due to its narrower bore. As early as the   24  sides  for  Vocalion  Records.  These  recordings  are  some
        17  century and prominently in the 18  and 19  centuries,   of  my  favorite  examples  of  quill  playing  and  techniques.
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