Page 39 - Blues Festival Guide Magazine 2025 Digital Edition
P. 39

Blues  Female  Artist  of  the  year  three  times,  Contemporary
        Blues Female Artist of the year once and picked up 17 other
        nominations along the way for her albums and more, including
        two for B.B. King Entertainer of the year.
           A  2020  inductee  in  the  Blues  Hall  of  Fame,  LaVette
        continues to blaze a trail of excellence for others to follow
        by putting a soulful, azure spin on material she’s culled from
        other fields… Dylan for Things Have Changed, indigo versions
        of songs recorded by Black women in the ’40s and ’50s for its
        follow-up, Blackbirds, and now LaVette!, which puts a sapphire
        glow on the songs of Bramblett.
           A  brilliant  tunesmith,  Bramblett’s  songs  carried  deeply
        personal messages but were overlooked by a large segment
        of society. “I don’t know of anyone else who had as many
        flop records as I have but him,” Bettye says. “But I think he’s
        magnificent!”
           It was a joy, she notes, to travel to New York City to witness
        herself on the 80-foot jumbotron in Times Square and singing
        her version of Bramblett’s “Hard to Be a Human.” “I couldn’t
        stop crying,” she says.
           At  the  time  of  print,  Bettye  has  been  trying  something
        new  again.  She’s  been  working  with  French-born  vocalist
        Madeleine Peyroux, selecting  songs to  sing together  on  an
        upcoming tour.
           What’s happening after that? Even Bettye doesn’t know.
        But one thing’s for sure: it’ll be azure, and it’ll be special!

        All photos by Ÿ Marilyn Stringer

        The blues came calling for Marty Gunther in the 1960s, when
        he  witnessed  the  first  generation  of  blues  stars  perform  at
        Newport. He’s senior writer at Blues Blast Magazine, pens a
        column for Chicago  Blues  Guide and several blues societies
        and has written for the Library of Congress, too.



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